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  • The Carpet Crawlers


    Show notes for the 291st Mużika Mod Ieħor podcast featuring music by performers from or in Malta:

    Carrie HaberCrash & Burn (aka Mr Taxi Man)
    Recorded live in the studio this is a lovely prelude for Carrie Haber’s upcoming EP Taurus, which is due to be released on Thursday 26 April 2012 at The Bedford in London. Slowly, but surely, Carrie is finding her own voice and establishing herself as a prolific artist in her own right. The video for this live track shows what a remarkable performer she really is.

    https://www.youtube.com/watch?v=o9k8eFR_1Ts

    AdieCry For You
    Last year’s video for Adie’s Reaction was voted as the Top Video in the 2011 MMI Listeners’ Picks poll. This follow up is even better than last year’s offering, so I’m expecting it to receive a considerable amount of votes come the 2012 poll towards the end of this year. Adie’s voice too sounds better to me on this song and if she keeps at it this way I’m sure that things can only get better in the coming years.

    BruwtalMother in Pain
    Christian Navarro from Naxxar records some rather dark ambient sounds under the name Bruwtal. This is just one o the tracks he has released via SoundCloud this year. If you like the one I’ve selected I’m sure you’ll like the rest.

    AtlamVictims Overture
    More than three decades before Kizum Klof decided it was a good idea to spell things backwards, there was Atlam. They came together in early 1980 with a line up consisting of three Xuereb brothers: Charles on guitars, Lizio on bass and Stephen on drums, and their cousin Charlie on keyboards. In 1983, they started working on a rock opera called Victims. The musicial was never performed in public as they encountered some authoritative resistance to their drug references. The music was recorded anyway in 1986 using a 4-track cassette player.

    Sempliciment tat-Triq & MarmaljaSpirtu Pront 2012
    Zdongrap and Lapes are the voices of the respective projects behind this recording of Maltese-language hip hop, capturing the sound of Maltese rap in 2012. Building on previous material we’ve heard from them separately, this particular track sees them maturing considerably in their choice of words and topics, while remaining true to their roots and musical preferences. Although they are far from popular on mainstream media, this is a real sound of Maltese contemporary pop music stemming from traditional għana tal-pront. In time I believe that this lineage will become even more evident than it already is to anyone who wants to hear it that way.

    The RSS feed for the Mużika Mod Ieħor podcast is available here or you can simply click here to subscribe directly with iTunes. You can also follow each new episode through the MMI Podcast: Facebook Fan Page or on MySpace. If you have no idea what any of this means, just enjoy listening to the podcast on the player right below this text.

  • That Dangerous Age

    Show notes for the 290th Mużika Mod Ieħor podcast featuring music by performers from or in Malta:

    Kizum KlofNutjeż
    This new act with a rather unusual name stands out as much as their decision to spell things backwards. Acoustic guitarists Glenn Paul Pace and Kevin Borg are tapping into a long tradition of Maltese folk music and they not only know it but clearly relish in it. This debut single demonstrates both their virtuosity and promise which I’m quite sure will be greatly welcome on the local scene in ways that many may not expect. I know they have already attracted a relatively large cult following, and this can only grow and grow until they move away from Maltese shores where they will undoubtedly make an indelible mark on a global scene that has lots of room for this sort of ethnic offering that’s not produced exclusively for tourists.

    For Strings InnJulie July
    Not quite as impressive as their earlier work, this new single from For Strings Inn is still surely good enough to get them back on the airwaves of many local stations. The accompanying video will give this song a life beyond the radio and I must say that Nick Morales has really applied some of the more elaborate music video techniques he has learned over the years, as he places himself clearly on the forefront of the Maltese video production scene.

    Stolen CreepWolves
    This band’s sound has matured considerably since their last offering. If they keep going this way, I have a feeling that they will eventually make an indelible mark on the local alternative music scene. They are releasing an EP, from which this song is taken, on Sunday 18 March 2012 at V-Gen in Paceville. At that launch event, they will be supported by Alex Alden and Hey Sus.

    Hey SusBoo Bay
    I thought it would be fitting to end this week’s podcast with a recording from this seemingly fun loving duo who came together as a recording band last year. They have quite a cool looking website too and I’m hoping that they’ll eventually live up to their promise of releasing more recordings. When they do, I’m pretty sure I’ll be playing them again on my podcast…particularly because I never understood why surf pop never achieved greater popularity in the Maltese islands.

    The RSS feed for the Mużika Mod Ieħor podcast is available here or you can simply click here to subscribe directly with iTunes. You can also follow each new episode through the MMI Podcast: Facebook Fan Page or on MySpace. If you have no idea what any of this means, just enjoy listening to the podcast on the player right below this text.

  • Pafff… Bum!


    Show notes for the 289th Mużika Mod Ieħor podcast featuring music by performers from or in Malta:

    Nicky BombaHighgrade
    I saw Nicky Bomba live at the Earth Garden Festival last summer and I must say that he is a top class live entertainer. Listening to this song from him I can see that he is very deliberate in setting up the building blocks that make him such an excellent entertainer on stage with a live audience in front of him. The video is also testimony of his respect for the reggae music of Jamaica. I expect that he will eventually demonstrate a similar level of respect to the homeland of his Maltese ancestors, as he has already shown quite a bit of appreciation for his blood roots.

    The Sylvan Aaron MassacreLove This City
    Their follow up to the stunning debut Come On (Come On) is a little more radio friendly, and certainly the most likely offering from Sy Borg to receive any significant airtime in Malta. In any case, this duo continues to be championed by my dear friend and colleague Michael Bugeja who is always more than happy to play them on this radio shows. A few days after the podcast this video appeared too.

    Freddie PortelliDoin’ Alright
    In a recent email, Freddie Portelli explained to me that he had written this song back in the 1960s, but never recorded it with his then band The Malta Bums or even with The Black Train, with whom he recorded extensively throughout most of the 1970s. He finally recorded it just a few weeks ago, from memory, with a rather recognizable arrangement/style that we’ve come to expect from the man now, as a mature veteran of the local pop rock scene.

    Fr Rob GaleaReach Out
    I am always impressed with the elegance in the productions presented by this young Maltese priest based in Australia. He is also very subtle with his religious messages, for the most part. I’m sure he has fans who are not simply followers of Christian pop rock music. Anyway, if you’ve never paid particular attention to his songs before, listen to this one on this week’s podcast and take a look at the video right here.

    Brian VassalloEmbracing Pathway
    I’m very appreciative when local artists bother to inform me of their new releases and send them to me to include on my podcast. For the most part, I include (almost) everything that’s sent to me directly but I probably would have gone out to chase after the new one from Brian Vassallo because I find his electronic sounds quite soothing. I’m sure you’ll be hard-pressed to disagree with me.

    The RSS feed for the Mużika Mod Ieħor podcast is available here or you can simply click here to subscribe directly with iTunes. You can also follow each new episode through the MMI Podcast: Facebook Fan Page or on MySpace. If you have no idea what any of this means, just enjoy listening to the podcast on the player right below this text.

  • How Will I Know

    Show notes for the 288th Mużika Mod Ieħor podcast featuring music by performers from or in Malta:

    Duo BlankEven
    Edwin Balzan and Frank Cachia return with their first radio release for 2012 featuring the vocal stylings of Errol Sammut. Duo Blank is one of the more mature electronic pop offerings from Malta, so they manage to do retro sounds without irony. Anyone who likes this sort of music will certainly think this is a great offering.

    Stimulus TimbreGarden of Rest
    Keith Farrugia has been recording as Stimulus Timbre for a while but now we finally get a full album, entitled Euphoria. It was released by Complex Sound Sagacity on Bandcamp on 18 February 2012, following a release gig at Coach & Horses on Valley Road last night. I happen to like this type of music and I’m sure that others like me will appreciate the variety of influences handled with a distinctive twist on this album.

    Simon SammutBassic Attitude
    About 30 years ago I used to remember a band called Hangover at the Tigne rock village. Soon after that, some of its members formed Rough Trade. Simon Sammut was the bass player for both those bands, but it would be very short sighted to think that he hasn’t progressed since then. In fact, he has gravitated towards playing jazz fusion on a six string bass and last year released an album called Bassic Attitude. It somehow escape,d my attention when it first came out, so I wanted to bring you a track from it now and make sure that information about Simon is entered on the M3P database as soon as possible.

    Falcon’s Flying CircusSitting Bull (live)
    From time to time I like to include live recordings on my weekly podcast. This one comes from a gig at Rookies in Bugibba by this psychadelic band on 24 September 2011. They’re playing there again on the 3rd of March. So, if you like what you hear here make sure you catch them at this next gig. I have a feeling that they sound even better live than this recording has managed to capture.

    The RSS feed for the Mużika Mod Ieħor podcast is available here or you can simply click here to subscribe directly with iTunes. You can also follow each new episode through the MMI Podcast: Facebook Fan Page or on MySpace. If you have no idea what any of this means, just enjoy listening to the podcast on the player right below this text.