A few days ago I discovered an old VHS tape from 1989. I was pleasantly surprised to see myself present a special edition of the weekly popular TVM current affairs programme Malta u Lil Hinn Minnha with Paul Azzopardi. I had forgotten all about this. For many years before Malta's liberalization of the broadcasting airwaves, this news show was the main (if not only) current affairs appointment for Maltese televiewers. This edition was the last one broadcast in 1989 and featured Giogio Moroder's The World We Live In, a half hour documentary with original music and images of events that have shaped our world. Moroder's work was originally created for German Television Channel 2 and for copyright reasons I only included a brief excerpt from it in the clip I uploaded on YouTube.
The same old video tape included almost an entire programme from the first series of Mill-Garaxx. I digitized a couple of clips from that too and immediately uploaded a live Black Train medley by Freeway, with Jesmond Tedesco Triccas on guitar and Toni Vella on bass. I also managed to capture a couple of other things from this same video cassette, including something for this week's Mużika Mod Ieħor podcast.
The 176th Mużika Mod Ieħor podcast features a sexist perspective of Maltese women from 1989 in Freeway's Viva n-Nisa. I don't think you could get away with that on Maltese TV now. I find it quite problematic from a feminist perspective but it's a delicious historical glimpse at the way most Maltese people (not just men) thought about women in their society at that point in time.
The podcast opens with a song called Tomorrow by Relikc. This band has been around for a couple of years but it was only last June that they managed to produce their first recordings for public consumption. They're not the sort of band that can get lots of airplay on radio in Malta, but I'm sure they go down well in their live gigs.
NV has just released a new single, following her debut album Envy, which appeared last February. Reason for Denying is not from the album and presents the singer in a somewhat lighter sound than what we heard on all her previous singles, which made it into that album. It's good to see some variation in NV's style and I'm sure the next thing we hear from her will also be exploring other territories since this singer is still to endear herself as a household name in Malta.
Speaking of household names, you'll be hard-pressed to find someone who has never heard Paul Giordimaina in Malta. He's been a professional musician for over thirty years and his career has seen him reach the highest peaks in the local scene in both pop and jazz. It's therefore a great joy to see that he has now released a jazz double CD. This is a side of him that only jazz aficionados or regular patrons at B.J.'s night club (where he's been the resident artist for close to three decades) really know. A Letter to Bernie is an outstanding album for several reasons. Foremost among these is the fact that it is a tribute to the late bass player Bernard Scerri, who died on 3 October 2002. The album features various guest jazz musicians who knew and played with Bernard, as well as Giordimaina originals inspired by Scerri's spirit, along with a handful of live recordings featuring the bass player live at B.J.'s in 2000.
To close up this week's podcast, from A Letter to Bernie I've selected Marcus Miller's Tutu, made famous by Miles Davis in 1986, as performed by Paul Giordimaina (piano), Mark Attard (synth), Walter Vella (flute), Edward Ellul (bass), Tony 'Giegu' Bartolo (percussion), and Reuben Navarro (drums). It's fitting that so many of the musician who knew Bernard so well, and played with him over the years, should pick this cool bass driven tune to remember their friend by. I'll certainly play one or two more tracks from this double CD on my podcast in the coming weeks.
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