Goings on in Teheran right now are quite sad and very disturbing. There is very little people like me can do from afar. I've been following the protests and the violent reactions mostly through Twitter. My main source is @TehranBureau but @kvella has also introduced me to @StopAhmadi. Between tweets about the clashes I've also been interested about the media talk around the power of Twitter and new technologies in Iran. It's all quite gripping and reminds me of the political unrest we experience in Malta in 1980s; I now realize that although what we went through back then was terrible, it fades in significance compared to the current situation in Iran.
As the fall of communism twenty years ago clearly demonstrated, new modes of communication are great non-violent weapons for oppressed people seeking change. When thinking about all this I'm humbled to think that I use the same technology for things that certainly not a matter of life and death for anyone. And yet the lighter things in life are essential. They provide some the things that make life worth living. For me, music is one of those essential things in life. Aside from the emotional boost some types of music give me, I am professionally invested the role of music in Maltese cultural identity and the networks associated with it. This is why I keep producing my weekly Mużika Mod Ieħor podcast.
For the 167th MMI podcast I wanted to include only new material that I heard about directly from the artists. One of the things I really appreciate about producing this series is the direct regular contact it gives me with Maltese musicians and performers. I was thrilled when Victoria Spiteri sent me a message on MySpace to tell me about her new song Filling Days. She performs as Victoria Osbourne now and regular listeners may recall that I first played one of her songs in May last year when she had moved to Malta from London looking to expand her options as a songwriter. I'm really looking forward to see who she ends up collaborating with in the coming years.
During my most recent visit to Malta I was obviously surrounded by musicians every day. On the very first evening I was invited to a wedding and the groom's cousins included the indomitable Danjeli (to my great delight) and Salt guitarist David Schembri. I played the lastest stuff from Danjeli last week, so this week I thought it was high time to include the latest single from Salt, which David promised to send me during his cousin's wedding. Star arrived via email several weeks ago. If you haven't already heard it elsewhere, you can hear it as the second selection on this week's podcast. Will Salt manage to repeat last year's MMI poll placing? (Salt's Jars of Clay was voted Top Single on the 2008 MMI Listeners' Picks.)
A couple of days before leaving Malta on this same last visit, I went to Juul's Bar in St Julian's for what I believe was the debut gig by Plato's Dream Machine. This trio is made up of musicians who have all appeared with other acts on previous editions on the MMI series. Singer Robert Farrugia Flores (whatever happened to Dominoes?) is trying very hard to channel the ghost of Bob Dylan from the early 1960s. Il-Fre provides a solid bass accompaniment while Ryan Abela keeps a steady beat on whatever percussion instrument happens to be handy on any given day. I like PDM's combination of DIY and busker spirit and it is beautifully captured on the limited edition CD single they've released, which includes their version of Dylan's I Shall Be Released. The band's main song, however, is called Journey Man and it's full of the sort of sounds that the band can produce and will hopefully continue to produce as they move into innovating on the Dylanesque elements they're in the process of assimilating. A Fuscia Sun Vessel (another trio fronted by Robert Farrugia Flores) did that beautifully a few years back, as you may have heard it on a previous MMI podcast.
Regular listeners of my weekly podcast will know that Adolf Formosa is one of my favourite singer-songwriters from Malta. He recently recorded a new song and contacted me (via Facebook) to tell me about it. Let's Bite the Morning gives us a peak at a reflective moment from Adolf. It's not as tuneful as some of his other songs, but still delightful for fans like me.
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