Auslander, Philip. 1992. Presence and resistance : postmodernism and cultural politics in contemporary American performance. Ann Arbor: University of Michigan Press. Auslander, Philip. 1997. From acting to performance : essays in modernism and postmodernism. London ; New York: Routledge. Auslander, Philip. 1999. Liveness: Performance in a Mediatized Culture. London & New York: Routledge. Banes, Sally. 1998. Subversive expectations : performance art and paratheater in New York, 1976-85. Ann Arbor: University of Michigan press. Benedikt, Michael, ed. 1991. Cyberspace: First Steps. Cambridge: MIT Press. Brook, James, and Iain A. Boal. 1995. Resisting the Virtual Life: the Culture and Politics of Information. San Francisco: City Lights. Cage, John, Nam June Paik, and Electronic Arts Intermix (Organization). 2000. Catch 44. New York, NY: Electronic Arts Intermix. [VIDEOTAPE] Carlson, Marvin A. 1996. Performance, a critical introduction. London New York: Routledge. Carr, C. 1993. On edge : performance at the end of the twentieth century. Hanover, NH: Wesleyan University Press. Case, Sue-Ellen. 1996. The domain-matrix : performing lesbian at the end of print culture. Bloomington: Indiana University Press. Critical Art Ensemble. 1994. Electronic Disturbance. Brooklyn: Autonomedia. Critical Art Ensemble. 1996. Electronic Civil Disobedience and Other Unpopular Ideas. Brooklyn: Autonomedia. Danet, Brenda. ed.1995. Issue on Play and Performance in Computer-Mediated Communication. Journal of Computer-Mediated Communication.  1 (2). Dinkla, Soke. 1996. From Participation to Interaction: Toward the Origins of Interactive Art. In Clicking In: Hot Links to a Digital Culture, edited by L. H. Leeson. Seattle: Bay Press. Dyson, Kenneth H. F., and Walter Homolka. 1996. Culture First!: Promoting Standards in the New Media Age. London and New York: Cassell. Ebo, Bosah L., ed. 1998. Cyberghetto or Cybertopia?: Race, Class, and Gender on the Internet. Westport, Conn.: Praeger. Felshin, Nina. 1995. But is it art? : the spirit of art as activism. Seattle: Bay Press. Ferguson, Charles H. 1999. High St@kes, No Prisoners: A Winner's Tale of Greed and Glory in the Internet Wars. New York: Times Books. Finley, Karen. 2000 A Different Kind of Intimacy: The Collected Writings of Karen Finley. New York: Avalon. Fusco, Coco. 1999. Corpus delecti : performance of the Americas. New York: Routledge. Geirland, John, and Eva Sonesh Kedar. 1999. Digital Babylon: How the Geeks, the Suits and the Ponytails Fought to Bring Hollywood to the Internet. New York: Arcade Publishing. Godwin, Mike. 1998. Cyber Rights: Defending Free Speech in the Digital Age. New York: Times Books. Goldberg, RoseLee. 1988. Performance art : from futurism to the present. Rev. and enl. ed. New York: H.N. Abrams. Goldberg, RoseLee. 1998. Performance : live art since 1960. New York: Harry N. Abrams. Gómez-Peña, Guillermo. 1996. Temple of confessions : Mexican beasts and living santos. 1st ed. New York: powerHouse Books : Distributed in the USA by D.A.P./Distributed Art Publishers. Gómez-Peña, Guillermo. 2000. Dangerous border crossers : the artist talks back. London ; New York: Routledge. Gray, John. 1993. Action art : a bibliography of artists' performance from futurism to fluxus and beyond. Westport, Conn.: Greenwood Press. Johnson, Steven. 1997. Interface Culture: How New Technology Transforms the Way We Create and Communicate. San Francisco: Harper Edge. Juno, Andrea, and V. Vale. 1999. Angry women. New York, NY: Juno Books. Kaprow, Allan, 1979. Allan Kaprow, On art and artists. [Chicago, Ill.]: Video Data Bank. [VIDEOTAPE] Kostelanetz, Richard. 1968. The theatre of mixed means : an introduction to happenings, kinetic environments, and other mixed-means performances. New York: Dial Press. Kroker, Arthur, and Marilouise Kroker, eds. 1997. Digital Delirium, CultureTexts. New York: St. Martin's Press. Laurel, Brenda. 1991. Computers as Theatre. Reading, Mass.: Addison-Wesley Publishing. Leary, Timothy. 1994. Chaos & Cyberculture. Berkeley, Ca.: Ronin. McAdams, Dona Ann. 1996. Caught in the act : a look at contemporary multimedia performance. 1st ed, ed. New York, NY: Aperture Foundation. Miles, Peggy. 1998. Internet World Guide to Webcasting. New York: John Wiley. Miller, Tim, and Dona Ann McAdams. 1984. Democracy in America. [S.l.: s.n.]. Montano, Linda. 1981. Art in everyday life. [Los Angeles, CA] [Barrytown, N.Y.]: Astro Artz ; Station Hill. Muñoz, José Esteban. 1999. Disidentifications : queers of color and the performance of politics. Minneapolis: University of Minnesota Press. Morse, Margaret. 1998. Virtualities: Television, Media Art, and Cyberculture. Bloomington: Indiana University Press. Moschovitis, Christos J. P. 1999. History of the Internet: A Chronology, 1843 to the Present. Santa Barbara, Calif.: Abc-Clio. Murray, Janet H. 1997. Hamlet on the Holodeck: The Future of Narrative in Cyberspace. New York: Free Press. Ono, Y. oko, and Chrissie Iles. 1997. Y*oko Ono : have you seen the horizon lately. Oxford, England: Museum of Modern Art. Phelan, Peggy. 1993. Unmarked: The Politics of Performance. New York: Routledge. Pywell, Geoff. 1994. Staging real things : the performance of ordinary events. Cranbury, NJ: Associated University Presses. Rheingold, Howard. 1992. Virtual reality. First Touchstone ed. New York: Simon & Schuster. Rheingold, Howard. 2000. Tools for thought : the history and future of mind-expanding technology. 1st MIT Press ed. Cambridge, Mass.: MIT Press. Roszak, Theodore. 1986. The Cult of Information: The Folklore of Computers and the True Art of Thinking. New York: Pantheon. Rush, Michael. 1999. New media in late 20th-century art. London: Thames & Hudson. Russell, Mark. 1997. Out of character : rants, raves, and monologues from today's top performance artists. New York: Bantam Books. Sangster, Gary. 1994. Outside the frame : performance and the object : a survey history of performance art in the USA since 1950. Cleveland, Ohio: Cleveland Center for Contemporary Art. Sandford, Mariellen R. 1994. Happenings and other acts. New York: Routledge. Sayre, Henry M. 1989. The object of performance : the American avant-garde since 1970. Chicago: University of Chicago Press. Schechner, Richard. 1988. Performance Theory. New York: Routledge. Schimmel, Paul, and Kristine Stiles. 1998. Out of actions : between performance and the object, 1949-1979. Los Angeles, Calif. New York: The Museum of Contemporary Art Thames and Hudson. Schneider, Rebecca. 1997. The explicit body in performance. London ; New York: Routledge. Shapiro, Andrew L. 1999. The Control Revolution: How the Internet is Putting Individuals in Charge and Changing the World We Know. New York: Public Affairs. Shapiro, Andrew O. 1976. Media Access: Your Rights to Express your Views on Radio and Television. Boston: Little Brown. Shenk, David. 1997. Data Smog: Surviving the Information Glut. 1st ed. San Francisco, Calif.: Harper Edge. Shields, Rob. 1996. Cultures of Internet: Virtual Spaces, Real Histories, Living Bodies. London and Thousand Oaks, Calif.: Sage Publications. Smith, Owen F. 1998. Fluxus : the history of an attitude. 1st ed. San Diego, CA: San Diego State University Press. Standage, Tom. 1998. The Victorian Internet : the remarkable story of the telegraph and the nineteenth century's on-line pioneers. New York: Walker and Co. Tapscott, Don. 1998. Growing Up Digital: The Rise of the Net Generation. New York: McGraw-Hill. Tucker, Marcia, and New Museum of Contemporary Art (New York N.Y.). 1986. Choices : making an art of everyday life. New York: New Museum of Contemporary Art. Turkle, Sherry. 1995. Life on the Screen: Identity in the Age of the Internet. New York: Simon & Schuster. Valovic, Thomas S. 2000. Digital Mythologies: The Hidden Complexities of the Internet. New Brunswick, N.J.: Rutgers University Press. Vergine, Lea. 2000. Body art and performance :  the body as language. Milan New York: Skira Editore ; distributed in North America and Latin America by Abbeville. Wilson, Martha. Performance art : (some) theory and (selected) practice at the end of this century.